Emilia's words are prophetic to the final scene. Each Shakespeares play name links to a range of resources about each play: Character summaries, plot outlines, example essays and famous quotes, soliloquies and monologues: Alls Well That Ends Well Antony and Cleopatra As You Like It The Comedy of Errors Coriolanus Cymbeline Hamlet Henry IV Part 1 Henry IV Part 2 Henry VIII Henry VI Part 1 Henry VI Part 2 Henry VI Part 3 Henry V Julius Caesar King John King Lear Loves Labours Lost Macbeth Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Nights Dream Much Ado About Nothing Othello Pericles Richard II Richard III Romeo & Juliet The Taming of the Shrew The Tempest Timon of Athens Titus Andronicus Troilus & Cressida Twelfth Night The Two Gentlemen of Verona The Winters Tale, 2004 2022 NoSweat Digital Ltd, 124 City Road, London EC1V 2NX. Swell, bosom, with thy fraught, For 'tis of aspics' tongues! Roderigo and Cassio are both wounded, and Iago kills Roderigo to cover up for his role in the attack. The purpose of the annotation is to inform the reader of the relevance, accuracy, and quality of the sources cited. Of her own clime, complexion, and degree, Sometimes intrude not? To wrongd Othellos service! In Act III, Scene iv, Othello questions Desdemona about the unknown handkerchief which, unbeknownst to the two of them, Emilia has stolen and given to Iago, Who placed it in the Chamber of Cassio. But some uncleanly apprehensions It shall be full of poise and difficult weight The crisis, or turning point, presents a decisive occurrence that determines the future course of events in the play. That Cassios not alive. Would you, the supervisor, grossly gape on For thy solicitor shall rather die my wife! But notice the Moor's reply: He loves her "with all [his] heart" (279). And on the proof, there is no more but this, beauty lack, / Your son-in-law is far more fair than black" (1.3.288-290). Act 3 Scene 4 Cassio: The powerlessness of women is continually shown throughout the play as all three of the female characters have been shown to either be physically or verbally abused by their male counterparts. Othello Key Quotes AQA A Level English Litera, Dowrappingislands,trees,andbuildingsseem. Act 3 Scene 3 Emilia: This quote again further emphasizes the stereotype of females to please their husbands despite Emilia knowing that what she does Is wrong. Which lead directly to the door of truth, 19, Nov. 2003, p. 86. Manyoftheadmirersoftheirworkagrees.(2)\overset{(2)}{\underline{\text{Many of the admirers of their work agrees. He says: "I will a round unvarnished tale deliver / Of my whole course of love" (90-91), round being a natural shape, like a stone or an apple, and unvarnished, without ornamentation. And then, sir, would he gripe and wring my hand, what wife? What will you do with t, that you have been My friend is dead; tis done at your request: That do demonstrate thinly. Act 3 Scene 3 Iago: It is disquieting to note how Iago and Othello finish each other's lines at the end of the scene; further proof that the master is drawing horribly close to the evil servant and moving further away from his innocent wife. If more thou dost perceive, let me know more; Haply, for I am black He also betrays his friends and lies to them. The tragic loss of identity is starting to begin here. In Othello, written by William Shakespear and performed by Mixed Magic Theatre, the character Iago seems to be easily placed in the group of a bad person. I know our country disposition well; Who steals my purse steals trash; tis something, nothing; Much will be seen in that. Brabantio can expect that the Senators will side with fathers in matters of disobedient daughters and that their opinion will turn to his advantage. But he that filches from me my good name Othellos plot follows the same general pattern found in most five-act plays of Renaissance era. And fearful to be granted. Iago replies with scorn that such misery is silliness and convinces Roderigo to go to Cyprus and wait for Desdemona to come to him, as she will surely soon become bored with Othello. The repetitions, use of hesitations and withholding information shown in the text through the use of caesuras show the extent of Iago's villainy. If I have any grace or power to move you, Why, this is not a boon; . "The handkerchief!" . The reports differ in the Fair Use Policy or become aware of any violations, please do not hesitate to contact us via support@edubirdie.com. To Othello, it is as though his wife was the source of all light. Act 3 Scene 3 Iago: From this dialogue the reader can assume that Iago has Othello completely fooled on the nature of their relationship. What did the manuscript contain? The smallest fear or doubt of her revolt; As Lee Jamieson has stated, Iago is jealous of Cassio for obtaining the position of Lieutenant over him, jealous of Othello- believing he bedded his wife- and jealous of Othellos position, despite his race. At the beginning of the play we are introduced to Roderigo and Iago. Were they as prime as goats, as hot as monkeys, CASE REPORT Tiapride for Pathological Jealousy (Othello Syndrome) in Elderly Patients. Psychogeriatrics, vol. It is impossible you should see this, Arise anger and let love surrender its power and seat in the hart to hate. Sees and knows more, much more, than he unfolds. Othello, he says, "is of a free and open nature" (405); precisely, in Iago's words, Othello is an "ass" naive, in other words, and we recall that Othello himself has already admitted that he knows "little of this great world . "Arise black vengeance from thy hollow cell" Emilia, stunned, says, My husband! Yet the Duke's rash promise to Brabantio immediately rebounds when Brabantio points to Othello: "Here is the man: this Moor" (71). I would not have your free and noble nature, Throughout the play, Iago moves the characters as though they were chess pieces he utilizes their individual goals, and interests as a means of getting them to carry out his plan. Should you do so, my lord, Than but to knowt a little. It starts when you are born. More than their own! Of course he wants his wife with him, and for the same reasons, and he supports her request, expressing it in a more socially acceptable manner: " . Brabantio made the accusation of witchcraft against Othello with no solid evidence, and on the basis of Desdemona's testimony the charge was dismissed. A plot is a series of events related to a central conflict, or struggle. He felt like a fish out of water. Trifles light as air If imputation and strong circumstances, Later, after Iago's treachery has been revealed, Othello looks at the body of his wife and says, "Now -- how dost thou look now? If Iago cant sleep with Desdemona he go try to make Othello believe that Desdemona is sleeping around with Cassio. Why? CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Neer feels retiring ebb, but keeps due on "Good name in man and woman, dear my lord. Twas mine, tis his, and has been slave to thousands: The inciting incident is the elopement of Othello and Desdemona, that actually occurs before the scene I events. They are close delations, working from the heart I gave her such a one; twas my first gift. At the end of the act, Iago reveals in a soliloquy how he wants to get his vengeance on Othello: he is going to abuse Othellos ear / That [Cassio] is too familiar with his wife.. Distinctly speak of her; though I may fear Nor shall not, whilst tis in my custody. My lord, I see youre moved. He believes that she has robbed him of his manhood, so he feels he must destroy her. You shall by that perceive him and his means: Spotted with strawberries in your wifes hand? Your dinner, and the generous islanders Such innocence and sacrificial love and forgiveness which she shows at the end makes her all the more underserving of the cruelty that is wreaked upon her. ." During the military discussion, the audience discovers that Cyprus is of supreme value to the Venetians, and it is vital that it remain under Venetian control for protection of sea trade. I prithee, speak to me as to thy thinkings, When Othello finishes speaking, the Duke declares in favor of Othello: "I think this tale would win my daughter too" (170). In Scene Iii, Desdemona waits for Othello in her bedroom, and as Emilia helps her prepare for bed, the women talk about infidelity. "Twoud make her amiable and subdue my father" "After new fancies" "There's magic in the web of it"". ". May fall to match you with her country forms His feelings reflect the racist society that he lives in and the audience is left to feel pathos towards the pitiful Othello. It also comes from wanting something that belongs to someone else or wanting someone who is in a relationship with another person. "Nor from my weak merits will I draw The smallest fear or doubt of her revolt. I prithee, name the time, but let it not Ay, but, lady, To seal her fathers eyes up close as oak- . "Fetch me the handkerchief!" On Tuesday noon, or night; on Wednesday morn: "I'll tear her all to pieces". / Arise, black vengeance, from thy hollow cell!. Nor all the drowsy syrups of the world, In other words, fathers must give way to husbands. Due to his jealousy, he is vengeful as he lays out selfish desires which lead to tragedy. Her will, recoiling to her better judgment, Privacy Policy Three things that make Iago a perfect villain are: manipulation, he is honest to others, and his actions ultimately causing the death of We are going to analyse Othello, Iago and Desdemonas characters and how the web of lies engineered by Iago led to the demise of many characters. Act I include exposition and inciting incident. Ill watch him tame and talk him out of patience; I dare be sworn I think that he is honest. If I do prove her haggard, Unfit for mine own purposes. Othellos self-awareness in this passage is fascinating. In Emilia's view, Othello has his morality all turned around; he thinks black is white, and white is black. That he hath left part of his grief with me, Arise, black vengeance, from thy hollow cell! The word vengeance has The Duke's attempts at conciliation fall on deaf ears. Emilia comes in and discovers the murder, where Othello tells her that Desdemona was unfaithful and that Iago knew the whole story. Make sure to identify various qualities the person would need to possess. But to be free and bounteous of her mind" (261-265). Cried Cursed fate that gave thee to the Moor!. by suggesting that only omniscent God can know the truth. . Whereto we see in all things nature tends The word vengeance has extremely negative connotations and once again black is aligned with that image to develop the idea that being fair is far more desirable than being black. Of human dealings. Anthropophagi (144) man-eaters; cannibals. 2019. [Returning] My lord, I would I might entreat WebHe seems to link himself to hell and evil when asking for assistance in his revenge; Arise, black vengeance, from thy hollow cell (A3, S3, L450), although he believes that he is serving heaven by offering a sacrifice of the pure Desdemona. Shakespeare makes Othello's story rich in visual detail, but he distorts geographic facts for dramatic effect. by Teresa Burns. This detail pushes Othello to the breaking point and leads to the plays crisis a point which we can also consider to be the climax. It will be well. (3.3.447-449), "Hath puddled his clear spirit" (3.4.143), It is the cause, it is the cause, my soul,--, "My wife! WebHe characterizes his vengeance as black, drawing upon both racial and moral connotations. Show me thy thought. Act 3 Scene 3 Othello: Othello's demand for ocular proof, that is, tangible evidence of his wife's adultery, is the turning point in the play. A race stereotype is when Iago says. WebArise, black vengeance, from thy hollow cell! Heaven knows, not I; Foul disproportion thoughts unnatural. My general will forget my love and service. And will upon the instant put thee tot: Swallow them up. For Iago to kill is own wife the truth came out in the situation wouldnt be fixed. Nay, but be wise: yet we see nothing done; . I meet the captains at the citadel. In a moment of heightened tension in Act Three, Othello cries, All my fond love thus do I blow to heaven. To pray at fortune. I will deny thee nothing. No further harm. Nor from mine own weak merits will I draw Therefore, Othello changes his mannerism and begins to act like a brute, whereas Iago changes his nature from admiration to hatred. He has to produce physical evidence to support all his false accusations or die. In Europe between the fourteenth and the end of the eighteenth centuries, three unity issues for drama were developed and debated, based on Aristotle's "Unity of Action" theory: (1) unity of time, meaning that all the episodes or actions happen within very close time frame of a day or so; (2) unity of place, meaning the episodes or actions happen near or in close proximity to each other; and (3) unity of action, meaning each episode or action relates to episodes and actions preceding and following it. . Iago's explanation is an echo of Iago's line at the end of Act 2 where he exclaimed that he would "tear the moor apart", "O monstrous, monstrous!" Too hideous to be shown. The Duke grants her wish, and Othello, who must leave that night, delegates Iago to follow later in another ship, bringing Desdemona and whatever else is needed. They think his daughter must have died, and, for Brabantio, it is as if she had died. The central conflict is established in Act II by means of the rising action or complication. Ay, theres the point: asto be bold with you In the mean time, O wretched fool. To leave me but a little to myself. (2.1.131), "If she be black, and thereto have a wit, / She'll find a white that shall her blackness hit" (2.1.132-133), "When devils will the blackest sins put on, / They do suggest, at first with heavenly shows, / As I do now" (2.3.351-353), "Her name, that was as fresh / As Dian's visage, is now begrimed and black / As mine own face" (3.3.386-388), "Arise, black vengeance, from thy hollow cell! Act 3 Scene 3 Iago and Othello respectively: Iago subtly gives the concrete proof the he obviously desires, that she has deceived before and thus may deceive again. And happily repent. The audience is soon losing sight of the self-assured and confident man and warrior they were aware of at the beginning of the play. In your opinion, what are the three most suspenseful events in the story? That passion cannot rule. This scene could be depicted in many ways. thou hast set me on the rack: Bulgarianborn Christo Javacheff and his wife, Jeanne-Claude, believe that it is. Let him not knowt, and hes not robbd at all. and when I love thee not, What shall I say? The directness of this request takes even Othello by surprise. I nothing but to please his fantasy. I am glad of it; for now I shall have reason Poor and content is rich and rich enough, By heaven, he echoes me, "Zounds!". Othello intervenes, and finds Cassio guilty, dismisses him from his position as lieutenant. I heard thee say even now, thou likedst not that, Emilia's words are actually full of foreboding here. (Act 1 scene 3) Iago plans on doing a plot against them to convince Othello that Desdemona is having an affair with Cassio. Othello fills in the background: he has been a soldier in the field from the age of seven until nine months ago, when he came back to Venice. From one that so imperfectly conceits, This formal recognition of love that has now been turned into a promise of bloodshed and revenge highlights the dark and destructive nature of Iago's malevolent plan. While Othello looks, Iago asks Cassio about Bianca, a subject that provokes the laughter of Cassio. You told a lie, an odious damned lie (Act 5 scene 2) Contrast in the way Iago and Emilia invoke images of heaven. Jealousy in William Shakespeares Othello in the play Othello, resentfulness and prejudice are obvious themes from the beginning to the end. Othello, in Shakespeares play Othello, is a joyfully hitched and broadly regarded general in the Venetian armed force in spite of his African legacy. Act 3 Scene 3 Othello: The structure of the speech here is expressing God Janus: the two faced God. If thou dost slander her and torture me, I personally think the whole play is based around two things his race in comparison to everyone elses, and his race with Desdemonas race because he is a moor and every one else is not. The Alchemists 3. There is not the slightest bit of evidence anywhere in this play to indicate that Othello has had an affair with Emilia. All rights reserved WebArise black vengeance, from thy hollow cell in L 448 is an allusion to Ate; the Greek goddess of delusion and folly who dwelt in infernal regions, exposing Othellos shift of No, sure, I cannot think it, Thou hadst been better have been born a dog Most of them were wild or fantastic looking, one or two were already well known and laid out as if they were original. This declaration is significant because witchcraft was a capital crime; the law on this topic was indeed "bloody" dealing with how a witch was to be tortured and eventually executed. Act 3 Scene 3 Iago: This scene could be portrayed as quite comedic as through merely the use of repetition he is able to create jealousy from Othello. Hes never any thing but your true servant. Pathological Jealousy Appearing after Cerebrovascular Infarction in a 25-Year-Old Woman. Australian & New Zealand Journal of Psychiatry, vol. Bounteous madam, For he conjured her she should ever keep it, I could not sleep. That he would steal away so guilty-like, Othello defends himself against Brabantio's accusation by personal statement and by calling Desdemona to testify. A disconcerted Desdemona attempts to change the subject by bringing up the case of Cassio. However, the meaning Note, if your lady strain his entertainment Swell, bosom, with thy fraught, For tis of aspics tongues! The following plot diagram illustrates the main plot of Othello. Out of their bestis not almost a fault Madam, not now: I am very ill at ease, Patience, I say; your mind perhaps may change. Later on, Iago and Roderigo were plotting the murder of Cassio. To bring them to that prospect: damn them then, Whose icy current and compulsive course Initially, the Duke promises him support in a prosecution for witchcraft, a capital crime, against the man who has seduced his daughter, but when the Duke realizes the seducer is Othello, he calls on the general to defend himself. THIRD EDITION. Emilia shoots back, "O, the more angel she, / And you the blacker devil!" your honour It were not for your quiet nor your good, The general then kneels and makes a vow to take revenge. Even before Desdemona speaks, it is clear that Othello has successfully defended himself when the Duke says: "I think this tale would win my daughter too" (171). Ill intermingle every thing he does When Desdemona states that she is happy about it, Othello hits her, shocked everyone. Prithee, no more: let him come when he will; That the probation bear no hinge nor loop Let us be wary, let us hide our loves; I found not Cassios kisses on her lips: A few minutes later Othello says farewell to love and summons up hate to take its place: "Arise, black vengeance, from thy hollow cell! Jealousy comes from insecurity, bitterness and obsessive caring. Why, why is this? 2. A man that languishes in your displeasure. [except that which] pertains to feats of broils and battle" (86-87). Blooms Literature, online.infobase.com/Auth/Index?aid=183527&itemid=WE54&articleId=532651. Save that, they say, the wars must make examples Othello has had one of Did Iago screw up? When we do quicken. Why, that the Moor first gave to Desdemona; Burn like the mines of Sulphur. You elements that clip us round about, For such things in a false disloyal knave Or feed on nourishing dishes, or keep you warm, (Act IV scene 1) Iago killing his wife has no feeling for it. Furthermore, the fact that to a contemporary Shakespearean audience where dying from illnesses such as epidemics from the plague were increasingly common, highlights the destructive elements of this quote, as they would have ben well aware of the death and tragedy it could create. Look here, Iago; / All my fond love thus do I blow to heaven. The emissaries arrive from Venice at the end of Act IV, scene I, with the news that Othello is being recalled to Venice, leaving Cassio as governor of Cyprus. Tragically, Othello chooses the very man whom he can trust least in all the world "honest Iago" (295). Yield up, O love, thy crown and hearted throne to tyrannous hate. 128, no. The phrase originated from the idea that when a person was sick, their skin turned a yellow or green color. from your Reading List will also remove any He publicly humiliates her and smacks her declaring she is an imprudent strumpet. Revising Jealousy in The Merry Wives of Windsor. Medieval & Renaissance Drama in England, vol. The general then kneels and makes a vow to take revenge. WebAct 3 Scene 3 Iago and Othello respectively: Iago subtly gives the concrete proof the he obviously desires, that she has deceived before and thus may deceive again. Comes from my love. I therefore beg it not / To please the palate of my appetite, / Nor to comply with heat, . And hold her free, I do beseech your honour. WebArise, black vengeance, from thy hollow cell! Who dotes, yet doubts, suspects, yet strongly loves! / Methinks it should be now a huge eclipse / Of sun and moon. That grew upon my lips: then laid his leg To incur a private cheque. Observation And Ice Flow Note. And live upon the vapour of a dungeon, I give thee warrant of thy place: assure thee, With Cassios suit: therefore be merry, Cassio; One is too poor, too weak for my revenge. / Yield up, O love, thy crown and hearted throne / To tyrannous hate!" in false gaze (19) looking the wrong way. Yield up, O love, thy crown and hearted throne To tyrannous hate! That errs in ignorance and not in cunning, Besides global warming is changing the pattern of climate and consequently affecting, Read More Protect The Environment EssayContinue. Iago also reveals his next malicious plan of action. Emilia had reveal the truth of her husbands cruel plot. And when she seemd to shake and fear your looks, I here engage my words. He keeps making insinuating remarks about Cassio and Desdemona, suggesting the two were intimate. If it be not for some purpose of import, May be more free. During this scene, Shakespeare uses a semantic field of marriage in order to cement Othello's and Iago's unification together, an almost parody to a marriage of sorts. I am to pray you not to strain my speech Iago has got his promotion. Now, by yond marble heaven. When she pleads for his reinstatement, Othello is ever more furious at what he sees as evidence of her love for Cassio. Jealousy is an considerable amount of component that William Shakespeare uses to set the movement of the plays action and transport it forward. I will go on. Why, then, to-morrow night; or Tuesday morn; He does not concede that he was wrong, only that he cannot answer it. Why do you speak so faintly? Most of us have experienced jealousy at some point in our lives in some way or another. Poison, or fire, or suffocating streams, And may: but, how? Is the immediate jewel of their souls: Excellent wretch! He puts the handkerchief from him; and it drops. The royal banner, and all quality, Desdemona, having embarked on marriage with Othello, wishes to accompany him into the field of war as a faithful wife. " / Methinks it should be now a huge eclipse / Of sun and moon. What you would ask me, that I should deny, Carlson, Andrew. An, Read More Preparing an Annotated Bibliography: A Step-by-Step Guide With ExamplesContinue, PROTECT THE ENVIRONMENT The emerging new health problems of present times are owning to the deterioration of the quality of our environment.The scarcity of water is alarming in the present times because no water can be considered safe for drinking including underground water. In California werebuilthisRunningFence,(6)\overset{(6)}{\underline{\text{were built his}{~Running Fence,}}}werebuilthisRunningFence,(6) some 181818 feet high and 241224 \frac{1}{2}2421 miles long. Shall ever medicine thee to that sweet sleep As Othello leaves. Emilia accuses her husband of committing the murder of Desdemona in front of everyone, and Iago stabs her in anger. Yet, if you please to hold him off awhile, Givet me again: poor lady, shell run mad . Aware that Othello trusts him, he will convince the Moor that Cassio is "too familiar" (402) with Desdemona. Arise, black vengeance, from thy hollow cell," he tells Iago - the man who has tricked him into the situation. Removing #book# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~, It is believed that Shakespeare wrote 38 plays in total between 1590 and 1612. Act 3 Scene 3 Othello: Othello is now raving angry, and his anger can be portrayed on stage through him erratically pacing around the stage. That which so often you did bid me steal. Many characters in the play Othello, reveal many different characteristics and qualities. In the due reverence of a sacred vow You do love my lord: 2023 EduBirdie.com. He declares he is a soldier with no skill in making speeches: "Rude am I in my speech / And little blessed with the soft phrase of peace" (81-82). I prithee, call him back. Roderigo is downcast and talks of drowning himself. Seeing you coming. one may smell in such a will most rank, He capably presents to the Duke and the others a portrait of himself as a man who has spent almost all of his life in the field as a successful, active soldier. dramatic irony created at the extent thag Iago has been able to decieve the entire character list. WebArise, black vengeance, from the hollow hell! Throw your vile guesses into the devil's teeth!". He sees black which is his skin colour as something evil. . Violence In Othello he says, I will chop her into messes (Act 4 scene 1) Othello is filled with anger with Desdemona because she deceived on him. Are you sure you want to remove #bookConfirmation# By the time he arrives at the emergency meeting, Brabantio's rage has turned to grief, and the Senators treat Brabantio's grief as a personal loss, rather than a public matter. In death, white Desdemona is a paler shade of white. . Arise black vengeance from thy hollow cell. Following is a brief summary of the plot of Othello. Gradually, he developed an affectionate relationship with his maid Ratan. By making the audience wait once again to hear how the lady was won, Shakespeare increases the tension, making Othello's final speech all the more impressive. Cry O sweet creature! and then kiss me hard, Be as your fancies teach you; As if thou then hadst shut up in thy brain O heavy hour! Here Othello cements the fact that it represents Desdemona's infidelity, but it also seems to function as a representation of Othello's exotic past. O, damn her! Othello knows what she will say and speaks confidently and directly: "Here comes the lady, let her witness it" (170). In sleep I heard him say Sweet Desdemona, Why, go to then; Also Iago will aim to get Cassio's position of lieutenant, which he thinks should have come to him. His anger at this shown through his imperative "Go to" reflects the common belief in 17th century England that women must be seen but not heard. This case sets off all the following disputes. Displaying his intense love for Desdemona, I won his daughter almost treating Love as a game, but, loving her deeply that when he kills her out of sheer anger, suicide is the only escape from a life without his WebThe Little Book of Black Venus and the Three-Fold Transformation of Hermetic Astrology. 34, no. Or stand so mammering on. (Act 3, Scene 3) Throughout the play there are many comments as to Othellos race. Act 3 Scene 3 Othello: As soon as doubt of Desdemona's infidelity begins, Othello loses his sense of manhood and begins to be affected by the racial prejudices he had previously shrugged off. As Dians visage, is now begrimed and black / O insupportable! Indeed! And weighst thy words before thou givest them breath, Brabantio's stubbornness is an integral part of his personality. "It hath yet felt no age or known no sorrow". . Othello asks who began this Iago response I do not know Devesting them from bed (act 2 scene 3) Although Iago shapes for his own ends our perceptions of a male political alliance as a friendship that resembles a marriage, the similarity between marriage and friendship is indeed disquieting in Othello. 3, Sept. 2003, pp. In my whole course of wooing, thou criedst Indeed! Ill have the work taen out, Let me go with him" (255-259). The winds thy sighs, 140 Who, raging with thy tears, and they with them, Without a sudden calm will overset Thy tempest-tossd body. In essence the sacred wound is the reason for With franker spirit: therefore, as I am bound, Actually, in act I, we meet Iago and hear about his friendship with Roderigo and his feelings against Othello. Where virtue is, these are more virtuous: Othello tells the story of his life. O God! Wrappinghugeobjectsarenot(5)\overset{(5)}{\underline{\text{Wrapping huge objects are not}}}Wrappinghugeobjectsarenot(5) Christo's only form of expression, however.